Monday, September 14, 2009

Sherman Alexie's "Because My Father Always Said He was the only Indian who saw Jimi Hendrix play ‘The star-spangled banner’ at Woodstock” Look- Fors




“Because My Father Always Said He was the only Indian who saw Jimi Hendrix play ‘The star-spangled banner’ at Woodstock”
Look- Fors


Directions: Explain the importance of the items on this list. They are given in the order they are found in the story. This is practice doing analysis.

(You can find the story at http://picard.montclair.edu/~lorenzj/unisinos/alexie-jimi.pdf

1. “Although his prison sentence effectively kept him our of the war, my father went through a different kind of war behind bars.” (Alexie, 25)

2. “We’d dream together until the sun came up.” (Alexie, 26)

3. “Somehow my father’s memories of my mother grew more beautiful as their relationship became more hostile.”

4. “But she loved him, too, with a ferocity that eventually forced her to leave him. They fought each other with the kind of graceful anger that only love can create.”

5. Near –blizzard conditions

6. Learning to play the guitar

7. War

8. Fighting for this country

9. Explain what the following statement means in the context of the story:
“Music turned my father into a reservation philosopher. Music had powerful
medicine.” (Alexie, p. 29)

10. Find a quotable passage from page 29 and copy is down here, including citation.

11. Jimi Hendrix’s grave

12. “Only the good die young.” (p.32)

13. Survival

14. Motorcycle

15. “When he didn’t need her anymore, she went back to the life she had created.” (Alexie, p.33)

16. “Instead of remembering the bad things, remember what happened immediately before.” (Alexie, p. 34)

17. Christmas and my birthday

18. Indian men who abandon their children

19. Robert Johnson

20. “I was dreaming it all but I let it be real for a moment.” (Alexie, p. 35)

21. “…she wrapped me in her favorite quilt…” (p. 36)

-----------------

“Because My Father Always Said He was the only Indian who saw Jimi Hendrix play ‘The star-spangled banner’ at Woodstock”

“What’s real? I ain’t interested in what’s real. I’m interested in how things should be.” (Alexie, 33)

Creating Connections Between Literary Elements and Themes


Directions: In order to complete this assignment you will need to be in a team of three people. Each person within the team will be responsible for specific parts of the assignment. You will create a presentation of your findings to share with the class.

 Person 1 – The Power of Music and Personification

 Person 2 – Reservation Relationships, Survival and Point of View

 Person 3 – War in Many Forms and Settings as a Catalyst for Developing a Theme



Person 1 – The Power of Music and Personification

• Define Personification

• Look back through the story and copy down passages that exemplify how the music of Jimi Hendrix is personified throughout the story.

• Explain how music develops into a character or important driving force within the story.

• Explain what the purpose is for the personification of the music.

• Take note of the words Alexie uses in his writings related to music.

• Explain why the personification of music in this story is important in crafting the story.



Person 2 – Reservation Relationships, Survival and Point of View

• Define point of view (POV) and explain the different kinds there are.

• Explain what kind of reader response and impact each POV style has.

• Look back through the story and copy down passages that exemplify dialogue is effectively used throughout the story. Explain why some parts are quoted while others conversations are simply reported or summarized

• Explain how the first person point of view used in the story impacts how we react to the story. Explain how the reader’s response would be different if the POV was different.

• Look closely at the words used in the story. Is there any sort of shift between when he is talking about someone else versus when he is talking about himself? What patterns do you notice?

• Explain why the POV in this story is important in crafting the story.



Person 3 – War in Many Forms and Settings as a Catalyst for
Developing a Theme


• Define setting and theme.

• Look back through the story and copy down passages that describe the setting.

• Explain how the shifts from one setting to another helps highlight or bring focus to specific events, emotional responses, etc.

• Explain what a literary theme is.

• Skim back over the story and look for passages from the text that help develop the idea of war as one of the main themes in this story. Why is this theme important?

• Develop a statement that explains the theme of war in this story and what the message might be and/or why it is important.

Notes of Personification in Literature:

Sometimes a writer will give human characteristics to nonhuman things. Objects, ideas, places or animals may be given human qualities. They may perform human actions. This type of figurative language is called personification. It helps the writer create an exciting picture in the reader’s mind.

• The sailboat danced gracefully past us.
• The flames ate hungrily at the burning house.
• The once-proud trees bent meekly before the storm.
• The broad, flat rock lay sunning itself by the stream.

• Sometimes a writer will give human characteristics to nonhuman things.
• Objects, ideas, places, or animals may be given human qualities.
• They may perform human actions.
• This type of figurative language is called personification.


Notes on Point of View:

Types of Point of View
Objective Point of View
With the objective point of view, the writer tells what happens without stating more than can be inferred from the story's action and dialogue. The narrator never discloses anything about what the characters think or feel, remaining a detached observer.
Third Person Point of View
Here the narrator does not participate in the action of the story as one of the characters, but lets us know exactly how the characters feel. We learn about the characters through this outside voice.
First Person Point of View
In the first person point of view, the narrator does participate in the action of the story. When reading stories in the first person, we need to realize that what the narrator is recounting might not be the objective truth. We should question the trustworthiness of the accounting.
Omniscient and Limited Omniscient Points of View
A narrator who knows everything about all the characters is all knowing, or omniscient.
A narrator whose knowledge is limited to one character, either major or minor, has a limited omniscient point of view.
As you read a piece of fiction think about these things:
How does the point of view affect your responses to the characters? How is your response influenced by how much the narrator knows and how objective he or she is? First person narrators are not always trustworthy. It is up to you to determine what is the truth and what is not.
http://www.ask.com/bar?q=teaching+literature+of+point+of+view&page=1&qsrc=2352&ab=0&u=http%3A%2F%2Fwww.learner.org%2Fexhibits%2Fliterature%2Fread%2Fpov1.html
In short fiction, who tells the story and how it is told are critical issues for an author to decide. The tone and feel of the story, and even its meaning, can change radically depending on who is telling the story.
We should remember that someone is always between the reader and the action of the story , that someone is telling the story from his or her own point of view. This angle of vision, the point of view from which the people, events, and details of a story are viewed, is important to consider when reading a story.
Here are some Questions we should Ask Ourselves when we Read a Story :
1. Who is telling the story?
2. How much does the narrator know?
3. To what extent does the author reveal the inner thoughts and feelings of characters?
AND
4. What is the amount of time lapsed between event and telling: as events occur or after they occur ( which is more likely )?
5. Which are the mental processes of the narrator i.e. the attitude that underlies the telling, e.g. feminist, Marxist, existential ?
6. What are the narrator's character and behavior ? For example, a narrator may be revealing a changed attitude through reflection or maturity as in a story of childhood told by an adult looking back , or story of loss of innocence told by the mature person.

AND
7. How does the point of view affect our responses to the characters?
8. How is our response influenced by how much the narrator knows and how objective he or she is?

TYPES of Point of View :
A- First Person
1. He is recognizable by use of first person pronoun, generally "I" but sometimes "we"
2. He offers a singularity of perspective
3. He asks reader to take into account the character of the storyteller
4. He may be a participant, a character involved in the events, or a non-participant, an observer-character not actually involved and therefore closely resembles third person .
When reading stories in the first person, we need to realize that what the narrator is recounting might not be the objective truth. We should question the trustworthiness of the accounting.
B- Third Person
An outside force without any clear identity tells the story [described elsewhere as like the eye of God]
1- Omniscient: narrator moves freely about in time and space and into characters’ thoughts and feelings . He knows everything about them , interprets and comments on their behavior, and even comments on the significance or meaning of the story.
2- Limited omniscient: Like omniscient, the story is told in third person, but the author tells it from the viewpoint of only one character. The author looks at events through the eyes, mind and emotions of that one character. The writer moves inside and outside the character and knows what that character sees, hears, feels, and thinks. However, nothing is revealed about the other characters except for what his chosen character knows or infers. This point of view is closer to the conditions of real life and may serve to unify the story since all details are seen through the eyes and experience of one person.
3- Objective : narrator refrains from any editorial commentary . He can go anywhere, but can only record what is seen and heard . He tells what happens without stating more than can be inferred from the story's action and dialogue. He never discloses anything about what the characters think or feel, remaining a detached observer.
http://www.ask.com/bar?q=teaching+literature+of+point+of+view&page=1&qsrc=2352&ab=2&u=http%3A%2F%2Fmembers.fortunecity.com%2Fnadabs%2Fliterature-pointview.html

Strengths of First Person Point of View - “I”

 psychological insight of narrator

 psychological insight into narrator

 feels personal, confessional, intimate

 reader must be involved in assessing

 the motivation and purpose of the 1st person narrator, assessing whether the narrator is reliable, unreliable, stable, unstable, sincere, insincere, etc.

Strengths of Third Person Point of View - He, She, It

 A feeling of Objectivity - Outer world over the inner world (for the most part)
 Power of description, scene, dialog, and action

 Transparency of narrative and author’s hand in the story (usually)

 Access to knowledge and sensibility of multiple characters is possible

http://www.ask.com/bar?q=teaching+literature+of+point+of+view&page=1&qsrc=2352&ab=3&u=http%3A%2F%2Fla.gulfcoast.edu%2Feng2111%2FPresentations%2Fpov-lit.htm


Notes on Setting:


Setting and Meaning
People exist in a particular time and place. Where we live may contribute not only to our personality, but also to our values, attitudes, and even our problems. In literature, setting (time and place) can also influence characters and what they do.
Time
We need to consider four kinds of time that may carry particular associations with them:
• Clock time: this can be used to provide suspense or create certain moods or feelings.
• Calendar time: the day, month, year, or more generally a day of the week or time of the month may provide an understanding of what takes place in a piece of literature.
• Seasonal time: the seasons or a span of time associated with a particular activity may be important.
• Historical time: this can establish a psychological or sociological understanding of behaviors and attitudes.
Place
We may find significance in the actual location where the action occurs, but we need to pay attention to the nonphysical as well as the physical environment.
The physical environment, including weather conditions, may be specifically described.
The nonphysical environment includes cultural influences such as education, social standing, economic class, and religious belief. These may be revealed by physical properties in the scene or through the characters' dialogue, thoughts, statements, and behaviors.
Uses of setting
The setting may be nothing more than the backdrop for what occurs; however, it may be directly linked to mood or meaning.
• It can create an atmosphere that affects our response to the work.
• It may have a direct effect on a character's motivation.
• An external force may enter the setting and change it, causing conflict for the characters.
• The setting itself may be an antagonist.
• Two settings may come into conflict with each other, causing conflict in the characters who must live in them and perhaps have to choose between them.

Reading for setting
Sometimes the setting is clearly described by the narrator. However, some works will require you to search for clues, especially with regard to the nonphysical environment.
• Learn about the author and the time and place of writing.
• Note suggestive details.
• Note unique uses of language and, perhaps, hidden references to the historical or cultural environment.
From:
http://www.ask.com/bar?q=Teaching+Literature+of+Setting&page=1&qsrc=6&ab=0&u=http%3A%2F%2Faliscot.com%2Fensenanza%2F1302%2Fsetting.htm


Notes on Literary Themes:
The main idea or underlying meaning of a literary work. A theme may be stated or implied. Theme differs from the subject or topic of a literary work in that it involves a statement or opinion about the topic. Not every literary work has a theme. Themes may be major or minor. A major theme is an idea the author returns to time and again. It becomes one of the most important ideas in the story. Minor themes are ideas that may appear from time to time.
It is important to recognize the difference between the theme of a literary work and the subject of a literary work. The subject is the topic on which an author has chosen to write. The theme, however, makes some statement about or expresses some opinion on that topic. For example, the subject of a story might be war while the theme might be the idea that war is useless.
Four ways in which an author can express themes are as follows:
1. Themes are expressed and emphasized by the way the author makes us feel.. By sharing feelings of the main character you also share the ideas that go through his mind.
2. Themes are presented in thoughts and conversations. Authors put words in their character’s mouths only for good reasons. One of these is to develop a story’s themes. The things a person says are much on their mind. Look for thoughts that are repeated throughout the story.
3. Themes are suggested through the characters. The main character usually illustrates the most important theme of the story. A good way to get at this theme is to ask yourself the question, what does the main character learn in the course of the story?
4. The actions or events in the story are used to suggest theme. People naturally express ideas and feelings through their actions. One thing authors think about is what an action will "say". In other words, how will the action express an idea or theme?
http://www.ask.com/bar?q=Literary+Term+Theme&page=1&qsrc=6&ab=0&u=http%3A%2F%2Fwww.orangeusd.k12.ca.us%2Fyorba%2Fliterary_elements.htm

Friday, August 21, 2009

"The Moths" and Short Story Activities on Identity


The following assignments go along with our reading of "The Moths" by Helena Maria Viramontes. You can find a link to her story in my sidebar.

Please understand that this blog format does not allow for the proper formatting that I have on my assignment sheets in class.

# 1 A Pre-learning Activity

Our identities have many sides, the way we perceive ourselves, how others perceive us and how we want to be perceived.

The goal of this first assignment is to take note of what we know about identity and how we respond based on the criteria given. This is a preunit awareness activity.

Look at the picture above. It is the cover from the book where our story, “The Moths” comes from. I’d like you to generate ideas, thoughts and predictions about the story based on this image and the topics listed.


Identity – How she sees herself:

How others might see her:


Reputation - How she sees herself:

How others might see her:

Impression - How she sees herself:

How others might see her:

Character - How she sees herself:

How others might see her:

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#2 Creating Reading Notes

Next up we have a chart that we will fill in as we read the story. You will have to copy and paste this information into your own chart in order to do the assignment at home. You'll need to make a chart with six columns and six rows. Here are the categories:

Structured Notes on Identity & Events from the Story

Summarize the Event

Who She Interacted With Her

Response to Them

Their Response to Her

What That Person
Might Think About Her

Why Might This Be Important?

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#3 Structured Notes on Identity & Interactions

Now we have a chart that we will fill in after we read the story. You will have to copy and paste this information into your own chart in order to do the assignment at home. You'll need to make a chart with three columns and six rows. Here are the categories:


Column Categories:

Person/Relationship

Example / 2 +Quotes
from the Text

Explanation of How This
Impacts Her Identity

Row Categories:

Abuelita

Ama

Apa

Teresa

Narrator

-------------------------------------------------------------------------------------

Before we started reading, we completed a chart about identity. We are doing the same chart a second time with the idea that with more information from our reading we will have more to say. Some of our ideas might even have changed.

#4 Elements of Identity


Directions:
At the beginning of this unit we made predictions using a similar chart to the one below. Now fill in the chart with information you know from having read the story.
Be sure to be very specific in your responses.

Identity – How she sees herself:

How others might see her:


Reputation - How she sees herself:

How others might see her:

Impression - How she sees herself:

How others might see her:

Character - How she sees herself:

How others might see her:

-------------------------------------------------------------------------------------

#5 On to Writing

Identity: Considering Perspective, Purpose and Message

Directions:We will use the notes you will create below to write two different letters from two different perspectives. Understand that each person’s perspective and purpose will change how the message is written. Please follow the following guidelines.



Part A

• Review the information that you recorded in the charts we completed during our reading of the story. Look back at the story and copy down some of the specific lines from the text that seem important and useful in communicating the narrator’s perspective, purpose and message that you think she would wish to communicate. Her letter can be intended for any of the main characters in the story. Consider what she might want to say to her mother or grandmother. Would she want to explain, defend or justify her actions? Would she want the reader to understand her motivation, her feelings or her response?

• Review the information that you recorded in the charts we completed during our reading of the story. Look back at the story and copy down some of the specific lines from the text that seem important and useful in communicating the Abuelita’s perspective, purpose and message that you think she would wish to communicate. Her letter can be intended for any of the main characters in the story. Consider what she might want to say her grandaughter. Would she want to explain, defend or justify her actions? Would she want the reader to understand her motivation, her feelings or her response?


• Review the information that you recorded in the charts we completed during our reading of the story. Look back at the story and copy down some of the specific lines from the text that seem important and useful in communicating Ama’s perspective, purpose and message that you think she would wish to communicate. Her letter can be intended for any of the main characters in the story. Consider what she might want to say her daughter. Would she want to explain, defend or justify her actions? Would she want the reader to understand her motivation, her feelings or her response?

Part B
Think about the details you will use in the two letters you will write. Think about similes, metaphors or figurative language you can use to enliven your writing.

Use these notes to write two letters.
• They may be from the narrator, Abuelita or Ama.
• Be sure to address at least two of the following topics: reputation, impression, character or intent/purpose.
• Be sure to use at least two direct quotes (with citation) from the story.
• Be sure to write it as if it were a real letter. Be sure to include at least two similes, metaphors and/or other figurative language.
• Be sure each letter is clear and distinct. Each should have its own voice.
• Proof read your final copy before turning it in.

Thursday, August 20, 2009

Quotes on Identity

Here are the quotes that we used in class as part of our preunit learning activity:

An identity would seem to be arrived at by the way in which the person faces and uses his experience.
James Baldwin

As a young teenager I looked desperately for things to read that might excuse me or assure me I wasn't the only one, that might confirm an identity I was unhappily piecing together.
Edmund White

First of all, what happens is, when you're good at something, you spend a lot of time with it. People identify you with that sport, so it becomes part of your identity.
Mike Krzyzewski

Human identity is the most fragile thing that we have, and it's often only found in moments of truth.
Alan Rudolph

I have done everything I can to make sure my daughter knows her father because you form your own identity by rebelling against your parents - but first you have to know them.
Greta Scacchi

Joy, rather than happiness, is the goal of life, for joy is the emotion which accompanies our fulfilling our natures as human beings. It is based on the experience of one's identity as a being of worth and dignity.
Rollo May

Strengthening our identity is one way or reinforcing people's confidence and sense of citizenship and well-being.
David Blunkett

The firmest friendship is based on an identity of likes and dislikes.
Sallust

We don't need a melting pot in this country, folks. We need a salad bowl. In a salad bowl, you put in the different things. You want the vegetables - the lettuce, the cucumbers, the onions, the green peppers - to maintain their identity. You appreciate differences.
Jane Elliot

Unlike a drop of water which loses its identity when it joins the ocean, man does not lose his being in the society in which he lives. Man's life is independent. He is born not for the development of the society alone, but for the development of his self.
B. R. Ambedkar

You have your identity
when you find out, not what you can keep your mind on, but what you can't keep your mind off.
A. R. Ammons

Your life will be a blessed and balanced experience if you first honor your identity and priority.
Russell M. Nelson

You manifest based on who you are already - so you must own the identity of the dream in order to manifest it.
Joy Page

First say to yourself what you would be; and then do what you have to do. ~Epictetus

You cannot belong to anyone else until you belong to yourself. -Pearl Bailey

Telling others about oneself is...no simple matter. It depends on what we think they think we ought to be like—or what selves in general ought to be like. Nor do our calculations end when we come to telling ourselves about ourselves. Our self-directed self-making narratives early come to express what we think others expect us to be like. Without much awareness of it, we develop a decorum for telling ourselves about ourselves: how to be frank with ourselves, how not to offend others....
-Jerome Bruner

It is better to conquer yourself than to win a thousand battles. Then the victory is yours. It cannot be taken from you, not by angels or by demons, heaven or hell.
-Buddha

A verse from the Veda says, 'What you see, you become.' In other words, just the experience of perceiving the world makes you what you are. This is a quite literal statement.
-Deepak Chopra

Always be a first rate version of yourself, and not a second rate version of someone else.
-Judy Garland

No man, for any considerable period, can wear one face to himself, and another to the multitude, without finally getting bewildered as to which may be the true.
-Nathaniel Hawthorne

If most of us remain ignorant of ourselves, it is because self-knowledge is painful and we prefer the pleasures of illusion.
-Aldous Huxley

"We are so accustomed to disguise ourselves to others that in the end we become disguised to ourselves."
-François de La Rochefoucauld

Beware of no man more than yourself; we carry our worst enemies within us.
-C. H. (Charles Haddon) Spurgeon

“Memory is a way of holding on to the things you love, the things you are, the things you never want to lose.” ~ Kevin Arnold

“If you wake up at a different time, in a different place, could you wake up as a different person?” ~ Chuck Palahniuk

The value of identity of course is that so often with it comes purpose.” ~Richard R. Grant

“Identity is such a crucial affair that one shouldn't rush into it.” ~ David Quammen

“Identity is theft of the self” ~ Estee Martin

“The identity of one changes with how one perceives reality” ~ Vithu Jeyaloganathan

~ I think history is inextricably linked to identity. If you don't know your history, if you don't know your family, who are you? ~ Mary Pipher

~ Integrity simple means not violating one's own identity. ~
Erich Fromm

A people must have dignity and identity. ~Andrew Goodman

A racial community provides not only a sense of identity, that luxury of looking into another's face and seeing yourself reflected back, but a sense of security and support.
Wentworth Miller

Monday, August 17, 2009

Welcome to My English 10 Class

Welcome to my class. I truly hope you will enjoy what we do. I am working hard to make sure that we satisfy all our requirements in an interesting manner. My class has four main components:

1) Writing Skills (Including Grammar) and Editing Skills: Is that a groan I hear? Hey, communication is very important in EVERY part of your life. I want to make sure you know how to express yourself in a clear, thoughtful and well-presented manner.

2) Looking at Literature: It is through literature that we can gain an appreciation of other people/cultures/time periods.

3) Study Skills: Good organizational skills, study skills and time
management skills are all qualities I want to help you develop. It will make your life easier.

4) Poetry Appreciation: We will be working with poetry in order to help you have a better understanding of good writing and the tools authors use to achieve excellence in text.

5) CSAP Preparation – we will combine our study of the texts with
skills practice that will get you ready and accustom to CSAP-style exams.

I want you to succeed in my class. Even if you don’t feel like you’re “good” at writing or reading, you can still get a good grade in my class. So, you say, how do I do that? Here’s the drill:

• COME TO CLASS EVERYDAY! Having an interesting mix of students makes the class more fun. I want to see your smiling face every school day.

Absences & Tardies: I will be enforcing the school attendance policies. Unexcused absences will hurt your grade. When you have an unexcused absence you cannot get points for the work you are required to do. This includes tests. Also, if you ditch class because you do not have a major assignment done on the due date, I will know! This may result in “0” points for that assignment

• BE PREPARED! For my class you will need your brain, a well fed body, a good attitude, respect, and the following supplies:
• Pens: All assignments must be done in pen or typed/word processed.

• Paper: You need to have loose leaf paper to use for your assignments. Spiral bound paper should be used for items such as class notes.

• Your Time Tracker: This should be used to record assignment, especially homework due dates. It also serves as your hall pass.

• Markers or Colored Pencils that have been sharpened: We will be doing some fun things in class that you require a nice visual presentation. Be sure to put your name on your markers or colored pencils. (optional)

• A Highlighter: These will also be used to enhance your study skills. (optional)

Grading Criteria:
All assignments are given points. Grades are awarded based on points earned.

90% = A 80% = B 70% = C 65% = D

How do you earn points?
• Major Projects (these will usually be essays) and Tests

• Quizzes

• In Class Work

• Homework: The amount of homework you get depends on how fast you work in class and the grade you want to earn. Some homework will be given independently of class work. Work is due at the beginning of class on the day it is due. All work completed on a computer must be printed out. I do not accept discs. Do not procrastinate on your homework, especially the reading assignments. Procrastination is a tempting mistress that will ditch you like a dog when you need her! Don’t get stuck in her trap!

* Extra Credit Work: This is readily available for students who are passing the class.
Students who are not passing must do the regular class work before extra credit can be earned. See me for
more specific details. These opportunities are announced in class.

• Resubmitting Work: If you turned your work in on time you will be allowed to redo it and resubmit it for a better grade. In order to do this, you must attach your old copy to the new copy and write “Resubmit” on the top of the assignment.


Okay, enough said? Feeling overwhelmed already? Stop and breathe. I am strict, but also fair. It is important to me that you know what is going on and expected in my class. I hope to see your face beaming with pride in your own excellent work and feel good about how well you have prepared yourself. Need help with any of this stuff? See me. I am always here before school, during the access period or you can schedule time with me as well.